For every great master painter of genres throughout history, such as the Oil Paint Abstract Painting, there are hundreds, perhaps thousands, of artists whose work will never see the outside of their home or studio, or the home of their family members. These artists are just like the “American Idol” contestants who insist that they sing well, in spite of all evidence to the contrary. They make art not because they are any good at it, but simply because they love doing it.
There exists nothing as contemporary and abstract as bad art. Bad art has occurred throughout history, though with the arrival of contemporary art, modern art, and abstract art, which question popular and standard conceptions of beauty, bad art has flourished. The essence of all the modern art is doing away with convention, and that includes what we consider good (or beautiful) art and bad art.
There’s actually a spot on the planet where these problems aren’t just observed, but celebrated: The Museum of Bad Art (MOBA), in Dedham, Massachusetts, just away from Boston. (Their second branch is at nearby Somerville.) MOBA features a permanent collection of 500 bits of, as his or her motto states, “art too bad to get ignored.” Their stated goal is, his or her founders assert, “to celebrate the labor of artists whose works would be displayed and appreciated in hardly any other forum.”
MOBA was founded in 1994, after antique dealer Scott Wilson found a painting, “Lucy inside the Field with Flowers” (which had become the museum’s signature piece), within the trash. He showed it to some friends, who suggested which he start an accumulation of similar bits of Abstract Painting Ideas On Canvas. At first, the initial collection was shown in Wilson’s friends’ home, nevertheless it soon became quite popular and large they had to maneuver it to a more permanent place.
MOBA doesn’t just exhibit any bad art, so my attempts at portraiture (which are really just stick figures) wouldn’t ensure it is into the museum. Works accepted into MOBA has to be original and have serious intent, however they will need to have significant but interesting flaws. The curators of MOBA refuse to display art that’s deliberately kitsch, or bad for bad’s sake. At any rate, MOBA is the only museum on the planet committed to collecting and exhibiting the worst. Its collection is actually a tribute towards the sincerity from the artists who preserved their works even if something has gone horribly wrong in the process. Put simply, MOBA celebrates an artist’s directly to fail, as well as fail gloriously.
The particular existence of MOBA, some say, is a response to the arrival of Contemporary Abstract Paintings Canvas in early 20th century, which made art more esoteric and fewer accessible for the public. To most Americans, museums are intimidating places ruled by experts whose tastes are mysterious and impossible for most of us to understand. MOBA is in direct vhhhlg for this trend. Its curators insist that they’re not parodying art; instead, they’re parodying the art world.
The reaction of many of the museum’s visitors is quite interesting. A number of the exhibits make them laugh out loud, and then in some methods, frees them approximately have opinions and discuss what they see. Teachers within the Boston area took their students to MOBA, then to more prestigious museums like Boston’s Museum of Fine Arts. Their MOBA experiences free them from feeling intimidated and to be a little more expressive regarding the art there.